I walked on the banks of the tincan banana dock and
            sat down under the huge shade of a Southern
            Pacific locomotive to look at the sunset over the
            box house hills and cry.
Jack Kerouac sat beside me on a busted rusty iron
            pole, companion, we thought the same thoughts
            of the soul, bleak and blue and sad-eyed, sur-
            rounded by the gnarled steel roots of trees of
            machinery.
The oily water on the river mirrored the red sky, sun
            sank on top of final Frisco peaks, no fish in that
            stream, no hermit in those mounts, just our-
            selves rheumy-eyed and hungover like old bums
            on the riverbank, tired and wily.
Look at the Sunflower, he said, there was a dead gray
            shadow against the sky, big as a man, sitting
            dry on top of a pile of ancient sawdust--
--I rushed up enchanted--it was my first sunflower,
            memories of Blake--my visions--Harlem
and Hells of the Eastern rivers, bridges clanking Joe's
            Greasy Sandwiches, dead baby carriages, black
            treadless tires forgotten and unretreaded, the
            poem of the riverbank, condoms & pots, steel
            knives, nothing stainless, only the dank muck
            and the razor-sharp artifacts passing into the
            past--
and the gray Sunflower poised against the sunset,
            crackly bleak and dusty with the smut and smog
            and smoke of olden locomotives in its eye--
corolla of bleary spikes pushed down and broken like
            a battered crown, seeds fallen out of its face,
            soon-to-be-toothless mouth of sunny air, sun-
            rays obliterated on its hairy head like a dried
            wire spiderweb,
leaves stuck out like arms out of the stem, gestures
            from the sawdust root, broke pieces of plaster
            fallen out of the black twigs, a dead fly in its ear,
Unholy battered old thing you were, my sunflower O
            my soul, I loved you then!
The grime was no man's grime but death and human
            locomotives,
all that dress of dust, that veil of darkened railroad
            skin, that smog of cheek, that eyelid of black
            mis'ry, that sooty hand or phallus or protuber-
            ance of artificial worse-than-dirt--industrial--
            modern--all that civilization spotting your
            crazy golden crown--
and those blear thoughts of death and dusty loveless
            eyes and ends and withered roots below, in the
            home-pile of sand and sawdust, rubber dollar
            bills, skin of machinery, the guts and innards
            of the weeping coughing car, the empty lonely
            tincans with their rusty tongues alack, what
            more could I name, the smoked ashes of some
            cock cigar, the cunts of wheelbarrows and the
            milky breasts of cars, wornout asses out of chairs
            & sphincters of dynamos--all these
entangled in your mummied roots--and you there
            standing before me in the sunset, all your glory
            in your form!
A perfect beauty of a sunflower! a perfect excellent
            lovely sunflower existence! a sweet natural eye
            to the new hip moon, woke up alive and excited
            grasping in the sunset shadow sunrise golden
            monthly breeze!
How many flies buzzed round you innocent of your
            grime, while you cursed the heavens of the rail-
            road and your flower soul?
Poor dead flower? when did you forget you were a
            flower? when did you look at your skin and
            decide you were an impotent dirty old locomo-
            tive? the ghost of a locomotive? the specter and
            shade of a once powerful mad American locomo-
            tive?
You were never no locomotive, Sunflower, you were a
            sunflower!
And you Locomotive, you are a locomotive, forget me
            not!
So I grabbed up the skeleton thick sunflower and stuck
            it at my side like a scepter,
and deliver my sermon to my soul, and Jack's soul
            too, and anyone who'll listen,
--We're not our skin of grime, we're not our dread
            bleak dusty imageless locomotive, we're all
            beautiful golden sunflowers inside, we're bles-
            sed by our own seed & golden hairy naked ac-
            complishment-bodies growing into mad black
            formal sunflowers in the sunset, spied on by our
            eyes under the shadow of the mad locomotive
            riverbank sunset Frisco hilly tincan evening sit-
            down vision.